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(i) General, including group exhibitions (unmarked unless noted)

 File — Box: MS F BOX 4441-4443

Contents:

131. The 1960’s into the 70’s: Selections from the Chandler Coventry Collection. Monash Uni.Gallery, 1978 Exh.cat.

132. * Aboriginal Art at the Top. Maningrida: Museums and Galleries of the Northern Territory, 1982. - pp.25-40 removed - p.41: part of page clipped

133. Apocalypse + Utopia. Melb.Uni.Art Gallery, 1984 Exh.cat., curated by John Nixon: Geoff Lowe, Jenny Watson etc.

134. Art Cars: Bringing together artist and automobile, Sydney: Powerhouse Museum, 1989. Exh.cat., exh. sponsored by BMW (exs.by Warhol, Stella etc.; & Oz exs.by Ken Done & Michael Jagamara Nelson)

135. The Art Gallery (dir.Luba Bilu) (c.1988)

136. Artists Make Books. St Kilda: Linden Gallery, 1991 Exh.cat. (curated by Christine Johnson; intro essay by Merryn Gates)

137. * Bendigo Artists 1989. Bendigo Art Gallery, 1989 Exh.cat.: 15 artists teaching at Bendigo CAE. - page clipped (Ollis/Turpie)

138. Lauren Berkowitz, Stephen Bram, Debra Ostrow, Kathy Temin. Jewish Festival of the Arts/Studio 14 at 200 Gertrude Street, 1993.

139. Craftsman House book catalogue, 1995-6.

140. Contemporary Art in Australia – a Review. Brisbane: Museum of Contemporary Art, 1987 MOCA opening exh., July 1987

141. Dislocations: Body/memory/place. NGV Access gallery, 1993 Exh.pamphlet, cur.Marcus O’Donnell

142. Domino I: Collaborations between Artists. Ian Potter Gallery, Universty of Melbourne, 1992 Exh.cat. (cur.Merryn Gates)

143. Edelstein, Leo, & others (ed.). Pataphysics I/J 1991. Melbourne, 1991

144. Edelstein, Leo. Solesmes. Melbourne, 1994

145. * Fashion, Décor, Interior: Stephen Bram, Tony Clark, Lyndal Walker. Monash Uni.Gallery, 1995 Exh.cat. (curated by Natalie King); NB inscribed by Tony Clark inside front cover: “To Howard my beloved teacher. Tony”

146. * The Field. Melbourne: National Gallery of Victoria, 1968. Exh.cat., 21 Aug.-28 Sept.1968 - pp.87-88 removed

147. Fünf vom Fünften: Richard Dunn, John Lethbridge, Mike Parr, Peter Tyndall, Ken Unsworth. Berlin: Daadgalerie, 1985 Exh.cat., 2 Sept.-6 Oct.1985 (texts by Tony Bond et al.); in German

148. The Golden Shibboleth. 200 Gertrude Street, Fitzroy, 1987

149. In Five Words or Less: the use of language in art. MOMA at Heide, 1995 Exh.cat. (cur.Christopher van der Craats): Danko, Holzer, Kruger, Indiana etc.

150. * Irreverent Sculpture. Monash Uni.Gallery, 1985 Exh.cat. (text by Margaret Plant): Barry Humphries etc.; inscribed on title page: “HARKLEY.85”

151. Persona Cognita. Museum of Modern Art at Heide, 1994 Exh.cat., 11 Oct.-20 Nov.1994

152. Pickett, Charles, The Fibro Frontier: a different history of Australian architecture, Sydney: Doubleday/Powerhouse Museum, 1997. - p.122: full-page ill. of Arkley’s Brand New (1994)

153. * Pleasure of the Gaze: Image & Appearance in Recent Australian Art. Perth: Art Gallery of Western Australia, 1985 Exh.cat., 15 June-30 July 1985 (cur.Bruce Adams): Peter Tyndall, etc. - p.7/8 clipped - p.10: NB Arkley doodle in black fibre-tipped pen over black and white reproduction of a painting by Vicki Varvaressos

154. The Politics of Picturing. Tasmanian School of Art Gallery, 1984 Exh.cat. (cur.Suzanne Davies): Davila, Tyndall etc.

155. Queensland Art Gallery. Annual Report 1994-95 - p.61: mentions Arkley’s Stucco Home 1991 under Acquisitions

156. Re-Model. George Paton Gallery, University of Melbourne, 1989

157. The St Kilda Collection: catalogue of works acquired by the City of St Kilda 1980-1988, Jan 1989 Pamphlet

158. Stop Jabiluka Mine: David Larwill, Mark Schaller, Peter Walsh. Melbourne: Gould Galleries, 1989 Exh.cat., 25 June-5 July 1998

159. Store 5 compilation catalogue, c.April 1989.

160. Stuart Gerstman Galleries. c.1984

161. Tall Poppies: John Dunkley-Smith, Dale Franck, John Nixon, Mike Parr, Imants Tillers. Melb. Uni.Gallery, 1983 Exh.cat., 26 April-2 June 1983

162. Vasari Revisited: a Kunstkammer in Melbourne. Melbourne: 200 Gertrude Street, 1988. Exh.cat, 9-20 Dec.1988

163. * The WAIT Collection 1968-1983. W.A.Inst.of Technology, 1983. Published to accompany exh.at AGWA, 29 April-29 May 1983 - p.17/18 clipped - p.27/28 clipped

164. Waterlow, Nick (ed.). European Dialogue – 3rd Biennale of Sydney 1979: a Commentary, Sydney, 1979.

165. Young Blood – Notes on Art Practice. Melbourne: Art Projects, 1983 (edited by John Nixon). Booklet; work by Nixon, Watson etc.

  • Box: MS F BOX 4441-4443 (Mixed materials)

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