(ii) Individual International Artists,in alphabetical order by artists’ names (unmarked unless noted)

101. Metken, Günter. Yaacov Agam. London: Thames & Hudson, 1977. Short survey, mostly illustrations

102. * Max Beckmann: the Triptychs. London: Whitechapel Art Gallery, 1980. Exhibition catalogue; texts by Gert Schiff & others; inscribed on flyleaf: “Howard Arkley // Please return // 2668129” & price $16.95

103. Billy Al Bengston. Los Angeles: County Museum, 1968. Exhibition catalogue (Nov.1968-Jan.1969); text by James Monte

104. * Blossfeldt: 6 Posters. Taschen Posterbook, 1995. Large format; cover marked by HA in black texta: ‘Bitza’; otherwise unmarked

105. Zemzoo – Veronika Bromová. XLVIII Biennal in Venice 1999 [Czech Pavilion]

106. * Colored Reading: the Graphic Art of Frances Butler. Berkeley: Lancaster-Miller, 1979. Mostly illust.; inscribed on flyleaf: “Howard Arkley - please return to” - cat.no.21/22 clipped (most of page)

107. Anthony Caro: Table Sculptures 1966-1977. British Council exh., 1977 Catalogue essay by Michael Fried

108. * Chuck Close: Recent Work. Pace Gallery, New York, 1979. Exhibition catalogue, 26 Oct.-24 Nov.1979; catalogue essay by Kim Levin; unpaginated - page removed near front (Philip Glass image?) - also note of various names on back cover (not by Arkley?)

109. * Bernard Cohen: Paintings and Drawings 1959-71. Arts Council of Great Britain, 1972. Exhibition catalogue, Hayward Gall etc.1972; intro. Richard Morphet; well-thumbed but apparently unmarked

110. Jean Dubuffet. Ray Hughes Gallery, Brisbane & Melbourne, 1984 - Small brochure/catalogue (c.14 works); shown at Reconnaissance April-May 1984 (presumably seen there by HA) {not held in other Victorian libraries?}

111. * Dürer and his time. Melbourne: National Gallery of Victoria, [n.d.] (1971) Exhibition catalogue; inscribed on flyleaf: “H.ARKLEY”; paint-spattered cover but otherwise intact

112. Recent Developments: Photographs by Elliott Erwitt, New York: Simon & Schuster, [n.d.] (c.1978?) Mostly illus. (quirky B&W photos); intro.by Wilfrid Sheed; inscribed on flyleaf: “Howard Arkley 1979” 113. * Richard Estes: the Urban Landscape. Boston: Museum of Fine Arts, 1978 Exhibition catalogue; essay by John Canaday; cat.& interview by John Arthur). Inscribed on flyleaf: “Howard Arkley // Please. Return”

114. Douglas Gordon: Through a Looking Glass. Gagosian Gallery. [n.d.] (1998?).

115. Franco Guerzoni: Opere recenti. Bologna: Rasponi arte contemporanea, 1992. Small-format (text by Maria Luisa Frisa, Italian/English)

116. * David Hockney Prints – selected from the collection of the Australian National Gallery, Canberra, 1976. Exhibition catalogue, NGV, Melbourne, from 22 April 1976; paint-spattered cover; and several images clipped as noted below - pp.21/22, 23/24 & 27/28 all clipped

117. On Kawara: Pure Consciousness. Biennale of Sydney, 1998

118. Fernand Léger: An Exhibition. New York: MOMA, 1976 inscribed on title-page: “Howard Arkley”; well-thumbed copy

119. * Malcolm Morley: Paintings 1965-82. London: Whitechapel Art Gallery, 1983. Exh.cat.; inscribed on p.1: “H.ARKLEY”

120. Robert Morris. London: Tate Gallery. 1971 Exh.cat. (April-June 1971); texts by Michael Compton & David Sylvester; inscribed on flyleaf: “Howard Arkley” (with price 90p). Back cover missing but otherwise apparently intact.

121. Erwin Olaf: Stars in Black & White & Colour. Sydney: Roslyn Oxley9, 1996 Exh.cat., 4 Feb.-2 March 1996 (cur.Jonathan Turner): lavish catalogue for Sydney Gay & Lesbian Mardi Gras, 1996

122. * Tom Phillips. London: Marlborough Fine Art, 1973 Exh.cat., 14 Sept.-20 Oct.1973 (introduction. John Russell); inscribed on flyleaf: “Arkley 77”

123. * Rietveld 1888-1964: Meubels/Furniture. Amsterdam: Stedelijk Museum, rev.ed., 1981. Small-format, clearly well-used. - p.23 tagged

124. * Bridget Riley (The Great Artists, #86). London: Marshall Cavendish, 1986. Clearly well-thumbed, and several images clipped - p.2729/30, 2731/32, 2733/34, 2735/36, 2741/42, 2743.44 & 2745/46 all clipped

125. * Dorothea Rockburne: Working with the Golden Section, 1974-76. New York: John Weber Gallery, 1976. Exh.cat., 30 Oct.-27 Nov.1976 (exh.cat.); inscribed on title page: “E.Gower 77”

126. Mario Salina. Ravenna: Rasponi Arte Contemporanea, 1992. Exh.cat. (text by Maria Luisa Frisa)

127. Pierre Soulages: paintings and works on paper. South Yarra: Tolarno, 1989. Exh.cat., 3-24 Aug.1989: 70s-80s works via Galerie Lebon, Paris

128. John Walker Prints 1976-84. London: Tate Gallery, 1985. Exh.cat.; intro.text by Memory Holloway

129. Zanuso: 1971 Dunhill Industrial Design Lectures. Melbourne: Trevor Wilson, 1971.

130. *Surfacing Images: the Paintings of Joe Zucker, 1969-1982. Albright-Knox Art Gallery, Buffalo, NY, 1982